The Festival L'Adresse Hors les murs




Whilst searching for the generic title under which the exhibitions, con- certs, screenings and performances of the next edition of Le Printemps de septembre could be placed, the words of sound and fury surfaced again and again, galvanised by Shakespeare's celebrated formula. That is not to say that our festival has undertaken the task of illustrating the vio- lence of the world, but it was obvious that several of this year's emblem- atic artworks were inspired by the will to position themselves in the midst of history's conflicts and tensions. This is now the principle adopted by many contemporary artists.

Lisa Reihana and Vincent Meessen lucidly confront the colonial issue (one at the Théâtre Garonne, the other at the Musée Saint-Raymond). Tracey Moffatt (also at the Théâtre Garonne) addresses its consequences, as, more distantly, does Laurent Mareschal (at the Hôtel-Dieu). The works of Alexander Kluge (at the Goethe-Institute and various other sites) and Ange Leccia (at the Maison Salvan in Labège) are haunted by war. Domination never establishes itself without commotion. And what can art, with the fra- gility of its multiple forms, do when confronted by this deafening insistence of history? Its condition remains that of a frail sound, the music of resistance.

In the opening of the fourth and last volume of his autobiographical undertaking The Rule of the Game, Michel Leiris described this Frêle bruit as an “archipelago”, a “constellation” or a “mozaic”, in any case an “assem- blage”. As many metaphors that stand for our festival. Like the fragmen- tary structure of Leiris's book, the festival's anatomy clearly states the refusal or the impossibility of a unified vision. Contemporary art's condi- tion in the polycentered world of globalisation suggests the image of an archipelago of archipelagos. Indeed, the sparse extent of coexistent para- digms defies any totalising understanding, unless we adopt the dogmatic comb of ideology.

Thus, at the scale of Toulouse (but also in Colomiers, Cugnaux and Labège) and with extensions in the Occitania region (in Grisolles and Saint- Gaudens), Le Printemps de septembre presents thirty-two exhibitions of works created for the occasion or shown for the first time in France as well as concerts, performances and the return of it’s famous Radio du bout de la nuit, animated and directed this year by Alain Bublex with *DUUU – radio.

he auto-reflexivity of the museum exhibition and its institutional critique made up a large sequence of the festival's previous edition. They resur- face in Nina Childress's exhibition at the Musée Paul-Dupuy, where she develops her view on women in painting throughout history from a selec- tion of forty-one pieces dating from 1501 to 1925 taken from the Musée des Augustins' collection to which she adds thirty-one of her own paint- ings.

The exhibitions of Bruno Gironcoli (in the refectory of the Jacobins con- vent), Hippolyte Hentgen (at the Château d'Eau gallery), Marie Losier (at the BBB centre d'art) and Virginie Loze (Musée Paul-Dupuy) echo Nina Childress's caustic humour, as does the group exhibition by Sylvie Auvray, Florent Dubois and Amandine Meyer (Grottesques, at the Pavillon Blanc in Colomi- ers) or the wrestling match of Cassandro El Exotico at the Cartoucherie – as many accounts of contemporary burlesque's formidable craftiness.

The forms of “After Cinema” moving image are notably illustrated by Gerard Byrne and Sven Anderson's installation at the Fondation espace écureuil, by David Claerbout's considerable exhibition at the Abattoirs, by Ange Leccia's new videos as well as the small films created by Alexander Kluge for the festival, or Philippe Decrauzat's new film, the soundtrack of which is set with live music by Will Guthrie.

The echo of current conflicts resounds in Barbara Barberis's photo- graphs of the occupied factory Rimaflow in Milan (Espace Saint-Cyprien), in the Jacqueline de Jong retrospective at les Abattoirs or in the homage paid to Bert Theis.

Elegiac sensitivity to urban entropy pervades Yvan Salomé's commis- sioned works that are inspired by the Bellefontaine neighbourhood as much as it does the suburban railway landscapes paced by Michel Perot around Paris (at the CIAM – La Fabrique).

Attention to the visually impaired and the hard of hearing's sentient experience is revealed in Tarek Atoui's musical sculptures and perfor- mances as well as in Camille Llobet's videos in Cugnaux or Javier Téllez's film (during The Night of Courtyards).

Drawings, paintings, sound performances; Élodie Lesourd and Laurent Proux share Lieu-Commun; Latifa Echakhch sets up at the Chapelle Saint- Jacques in Saint-Gaudens; Stéphane Dafflon has designed a coloured ceiling for the forecourt of the Riverside building by the Canal du Midi.

Anne Deguelle's installation in Grisolles builds upon the investigation into Marcel Duchamp's patronal and still mysterious work, a kind of hom-

age to this figure who remains inseparable from the modern canon. The group exhibitions imagined by Jill Gasparina at the isdaT, by Marc Bembe- koff and Garance Chabert at the Carrosserie Sérignac and by Arnaud Fourrier at the Pavillon Blanc in Colomiers contribute to the genealogy of contemporary forms and sensitivities.

Finally, the Jacobins receive a creation by Sarkis, Mesure de la Lumière, in their sublime and singular church.

In these ways, Fracas et Frêles Bruits brings to light and to sound the coexistence of forms and practices – inclusive of the concerts, perfor- mances and other one-off events imagined by Anne-Laure Belloc – as so many attempts at saying and conceiving the world as well as what art can add to it without hampering or losing it.


Christian Bernard



In 2016 Le Printemps de septembre held the first of its biennale editions. Many of us will remember the tune from Ragnar Kjartansson's installation at the Théâtre Garonne, the sand that Hans Op de Beeck spread out as far as the eye could see at the Jacobins or the local statuettes taken from the Fondation Cartier's collection that joyously stood alongside the Roman- esque ones from the Musée des Augustins. Guided by Christian Bernard and the twelve curators associated with that year's edition, Le Printemps de septembre wished to move the city, its places and its residents by cre- ating a living, emotional circuit as much for the ears as for the eyes.

Without ambiguity, the amount of counted admissions (over 200 000) show the public's inclination and curiosity for contemporary creation in all its diversity as well as for the exigency of its forms. This year's edition fur- thers the trait of a festival of exhibitions and performances, affecting our senses, gazes and minds, closely echoing the spaces that host them and introducing us to emerging forms of expression. One of the titles imagined by Christian Bernard for one of the festival's exhibitions – I'll Be Your Mirror – seems especially representative of the project as a whole by suggesting the singular reflection of the world as it is today and now. I am of course delighted, for example, that the festival attests to the extraordinary vitality of female creation.

Marc Bembekoff and Garance Chabert, Marie Delanoë, Émilie Flory, Arnaud Fourrier, Jill Gasparina, Valérie Mazouin, Manuel Pomar, Valentin Rodriguez, Paul de Sorbier and Annabelle Ténèze are the associate cura- tors for this year's edition. Our wish was for it to be plural, fed by multiple worlds and practices that would pervade the city, its urban area and the Region. I wish to take this opportunity to warmly thank all of Le Printemps de septembre's public and its partners who contribute to making Tou- louse an essential stopover for art. I hope that together we will continue to develop it even more in the years to come.

Marie-Thérèse Perrin



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I'll Be Your Mirror
Group Exhibition — Les Beaux Arts Brasserie Flo

Tarek Atoui

WITHIN – concert 3/3
Event — Quai des arts (Cugnaux)

Alain Bublex - *DUUU radio

La Radio *DUUU bout de la nuit (the nights)
Event — institut supérieur des arts de Toulouse

David Claerbout

Dark Optics (Vision de nuit)
Personal Exhibition — les Abattoirs, Musée – Frac Occitanie Toulouse

Carla Dal Forno

Event — institut supérieur des arts de Toulouse

Brice Dellsperger

Body Double 32
The Night of Courtyards — Cour du Musée du Vieux-Toulouse

Anne-Charlotte Finel

Château en Espagne
The Night of Courtyards — Cour du Musée Saint-Raymond

Lauren Huret

Relaxing data
Event — institut supérieur des arts de Toulouse

Benoît Laffiché - Michel Perot - Yvan Salomone

L'Élégie des lisières
Group Exhibition — CIAM La Fabrique

Camille Llobet

Personal Exhibition — Musée Paul-Dupuy

Laurent Mareschal

Ici ailleurs
Personal Exhibition — Hôtel-Dieu

Laurent Proux

Jungle Métallique
Personal Exhibition — Lieu-Commun

Bert Theis

In Preparation of the Philosophical Platform
Personal Exhibition — Jardin Raymond VI
Peindre, dit-elle, et après ?
Event — les Abattoirs, Musée – Frac Occitanie Toulouse

Tarek Atoui - Camille Llobet

L'Emprise des sens
Group Exhibition — Quai des arts (Cugnaux)

Gerard Byrne

In Our Time
Personal Exhibition — théâtre Garonne | Scène européenne

Cindy Coutant

Event — institut supérieur des arts de Toulouse

Philippe Decrauzat - Will Guthrie

Event — Auditorium Saint-Pierre des Cuisines

Flora Détraz

Event — La Place de la Danse

Bruno Gironcoli

La Grande Cavalcade
Personal Exhibition — Couvent des Jacobins

Sonia Kacem - Bea McMahon

Dear Wattana
Event — Carrosserie Sérignac

L'Agence du doute - Grégory Chatonsky - Cindy Coutant - Arnaud Dezoteux - Nicolas Garait-Leavenworth - Lauren Huret - Charlie Malgat - Samir Mougas

France électronique
Group Exhibition — institut supérieur des arts de Toulouse

Marie Losier

Hello Happiness!
Personal Exhibition — BBB centre d'art

Vincent Meessen

Personal Exhibition — Musée Saint-Raymond

Lisa Reihana

In Pursuit of Venus [infected]
Personal Exhibition — théâtre Garonne | Scène européenne


Event — institut supérieur des arts de Toulouse
Rimaflow, an experience of self-management
Event — Jardin Raymond VI

Sylvie Auvray - Florent Dubois - Amandine Meyer

Group Exhibition — Pavillon Blanc Henri-Molina | Centre d’art (Colomiers)

Gerard Byrne - Sven Anderson

A Visibility Matrix
Personal Exhibition — Fondation d'entreprise espace écureuil pour l'art contemporain

Pauline Curnier Jardin

Explosion my baby
The Night of Courtyards — Cour du Musée du Vieux-Toulouse

Anne Deguelle

Les mariées de Fécamp
Personal Exhibition — Musée Calbet (Grisolles)

Latifa Echakhch

Partition pour main et masse
Personal Exhibition — Centre d'art contemporain Chapelle Saint-Jacques (Saint-Gaudens)

Larry Gus

Event — institut supérieur des arts de Toulouse

Alexander Kluge

Danse avec les toiles
Event — Cinéma Le Cratère

Ange Leccia

Girls, Ghosts and War
Personal Exhibition — Maison Salvan (Labège)

Virginie Loze

L'Envers du décor
Personal Exhibition — Musée Paul-Dupuy

Tracey Moffatt

Personal Exhibition — théâtre Garonne | Scène européenne

Marlène Saldana - Jonathan Drillet

Event — Bar le DAda

Tarek Atoui

WITHIN – concert 1/3
Event — Quai des arts (Cugnaux)

Barbara Barberis

RiMaflow / Utopia in progress
Personal Exhibition — Espace Saint-Cyprien

Cassandro, El Exótico

Los Exóticos vs Los Luchadores
Event — Halles de la Cartoucherie

Béatrice Cussol

Les Parties
Personal Exhibition — La Médiathèque des Abattoirs – Frac Occitanie Toulouse

Jacqueline De Jong

Le Faux Fac-similé Déchiqueté
Event — les Abattoirs, Musée – Frac Occitanie Toulouse


Event — institut supérieur des arts de Toulouse

Tamara Henderson

Seasons End : Out of Body
The Night of Courtyards — Hôtel de Madron's courtyard

Alexander Kluge

Le Frêle Bruit de la Révolution
Personal Exhibition — Goethe-Institut

Élodie Lesourd

Diminished Finlucier
Event — Lieu-Commun

Lz Dunn

Event — théâtre Garonne | Scène européenne

Aurèle Nourisson

Musique et hybridation technique, du GRM aux années électroniques
Event — institut supérieur des arts de Toulouse


Mesure de la lumière
Personal Exhibition — Couvent des Jacobins

Tarek Atoui

WITHIN – concert 2/3
Event — Quai des arts (Cugnaux)

Alain Bublex

La Radio *DUUU bout de la nuit (l'installation)
Personal Exhibition — institut supérieur des arts de Toulouse

Nina Childress

The owl also finds his little pretty
Personal Exhibition — Musée Paul-Dupuy

Stéphane Dafflon

Blue in green
Personal Exhibition — Building Riverside

Jacqueline De Jong

Personal Exhibition — les Abattoirs, Musée – Frac Occitanie Toulouse

Cao Fei - Juliette Goiffon - Charles Beauté - Sonia Kacem - Maxime Lamarche - Nicolas Momein

Éloge du carburateur (Le Syndicat des initiatives 1)
Group Exhibition — Carrosserie Sérignac

Hippolyte Hentgen

Personal Exhibition — Château d'Eau

Alexander Kluge

Nouvelles de l’antiquité idéologique : Marx – Eisenstein – Le Capital
Event — les Abattoirs, Musée – Frac Occitanie Toulouse

Élodie Lesourd

Personal Exhibition — Lieu-Commun

Laurent Mareschal

Event — Théâtre du Capitole

Amy O'Neill

Holyland U.S.A.
The Night of Courtyards — Cour du Musée Saint-Raymond

Javier Téllez

Letter on the Blind for the Use of Those Who See
The Night of Courtyards — Cour de l'Hôtel d'Assézat